That no one would ever frame male-driven franchises like “Iron Man,” “Spider-Man” and “The Dark Knight” as niche attractions helps explain that problem.So, yea for “Divergent,” a dumb movie that I hope makes major bank if only as a reminder of the obvious: Women can drive big and little movies,( Download Divergent) including the pricey franchises that fire up the box office and the culture.To do so, though, they’re going to need directors who can handle the demands of an industrial production like this and a script that obscures rather than emphasizes the weakness of the source material.

Women warriors are on the rise again in American movies, and so, too, are hopes that they’ll be able to strike where it counts: in the industry’s executive suites.Some of this faith can be traced, irrationally or exuberantly, to “The Hunger Games.”Its second installment, “Catching Fire,” wasn’t only the highest grossing movie of 2013, it also pulled in a lot of guys, and not just, you know, women, that 52 percent of North American moviegoers who are deemed a limited demographic, a niche and a seemingly unsolvable problem. This is also one of the only theories to be supported in part by Stephen King’s novel alongside the figurative representation of hell.Download Divergent movie, Divergent Download, Divergent Movie Download ,Download Divergent However, there are two different levels to this theory, and one is far more apparent than the other. It is less of a stretch to consider this interpretation as a distillation of clear subtext on child abuse that some viewers might miss. The last of our The Shining movie theories is the most cogent of the bunch: The Shining abuse theory.

THE SHINING SEXUAL ABUSE THEORY Theory #6 Child Abuse But, to be perfectly honest, every other piece of “evidence” in support of this theory is beyond far-fetched and not to be taken seriously. Those who believe this theory point to a handful of other small details. Along with a painting on the wall of the Overlook that could be interpreted as the head of a bull atop the body of a man, though not in a literal sense. Supporting this theory are the way Danny/Theseus overcomes Jack/the minotaur - which parallel each other to a certain degree but not explicitly. A stone labyrinth in the case of the minotaur and a snowy hedge maze in the case of The Shining. The most obvious parallel is that both stories feature their combating opponents showing down in a sprawling maze. This fan theory posits that Danny is Theseus and Jack is the minotaur in Kubrick’s extended metaphor.

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